I.
Caldecott Medal, 1960
Bibliography
Ets, Marie Hall; Labastida, Aurora. 1959. NINE DAYS TO CHRISTMAS: A STORY OF MEXICO. Ill. by Marie Hall Ets. New York; Viking Press. ISBN 0486815323
Plot Summary
This Caldecott Medal winning children’s book by Marie Hall Ets and Aurora Labastida tells the story of a Mexican girl named Ceci who is preparing for Christmas. As Ceci learns about Mexican Christmas traditions such as posadas and stuffing pinatas, her excitement and anticipation grow while she counts down the nine days leading up to the big celebration.
Critical Analysis
Nine Days to Christmas is celebrated not only for its engaging story and delightful illustrations but also for its educational and cultural significance. The authors portrayed Mexican Christmas traditions with authenticity and respect. The story and illustrations introduce readers to customs such as posadas and the stuffing of pinatas, providing a window into Mexican holiday practices. The narrative style weaves together Ceci’s excitement and insights into Mexican traditions.
Marie Hall Ets imbues the pages of the book with charming illustrations that complement the text and help bring the festive atmosphere to life. Ets artistically showcases Ceci’s excitement as she is finally able to get a pinata and spies them across the market in their vibrant glory. It remains a cherished book that continues to delight and educate readers about the beauty of cultural diversity during the holiday season.
Review Excerpts
Library Journal (December 1959) “the bright regional pictures and the tender amusing text convey both the mirth and the glory of the season.”
Atlantic (December 1959) "The youngest child will be completely transported by this lovely story of Mexican Christmas parties."
Horn Book Magazine (December 1959) "Pictured with truth to small details of scene and costume, in brilliant touches of Mexican colors on a soft gray background for striking and original effects."
Connections
Explore the author and illustrator Marie Hall Ets Marie Hall Ets Google Search as she has authored and illustrated several children’s picture books.
Discuss examples of how the illustrations enhance the story.
Include this title in a showcase of holidays and traditions about Mexico, Christmas, and Advent
II.
Caldecott Medal, 1962
Bibliography
Brown, Maria. 1961. ONCE A MOUSE--: A FABLE CUT IN WOOD. New York: Atheneum Books for Young Readers. ISBN 0758700628
Plot Summary
This Caldecott Medal winning children’s book is a fable retold and illustrated by Marcia Brown based on a traditional Indian tale. A humble small brown mouse transforms into various larger animals, a rabbit, a dog, and a tiger, and then back to its original form. Each time the mouse becomes larger, it becomes more arrogant and forgets its humble beginnings. The mouse gratefully returns to its humble life, having gained wisdom from its experiences.
Critical Analysis
Once a Mouse - - is celebrated for its exquisite woodcut illustrations and a compelling adaption of an Indian fable. The fable originates in India and Brown’s narrative structure emphasizes universal themes through the lens of Indian folklore. The story explores the cycle of life and the balance of wisdom.
Marcia Brown’s use of woodcut illustrations is central to the book’s critical acclaim. The illustrations are intricate and capture the fable’s setting with simplicity. The use of black and white contrasts in woodcuts adds to the story’s quality and enhances the emotional depth with visual impact. This book remains a classic in children’s literature through its artistic beauty and profound storytelling.
Review Excerpt
Library Journal (December 1961) "Probably Miss Brown's most handsomely devised and executed book.”
Connections
Discuss elements and characteristics of fables.
Discuss characteristics of fables from different regions and cultures around the world.
Discuss ways the woodcut illustrations enhance the authenticity of the tale.
Include in a collection of resources to explore India folklore, customs, and traditions.
III.
Caldecott Medal, 1976
Bibliography
Aardema, Verna. 1975. WHY MOSQUITOES BUZZ IN PEOPLE’S EARS: A WEST AFRICAN TALE. Ill. by Leo and Diane Dillon. New York: The Dial Press. ISBN 0758700814
Plot Summary
This Caldecott Medal winning picture book by Verna Aardema and illustrated by Leo and Diane Dillon is a a story that originates from a West African folktale and revolves around a chain of events triggered by a mosquito. In the story, a mosquito tells a lie to an iguana, saying that he saw a farmer with a stick, intending to kill him. Because the iguana runs scared into the forest, a series of misunderstandings and a sad mishap takes place among the forest animals. Now mosquitos buzz in people’s ears seeking forgiveness.
Critical Analysis
Why Mosquitos Buzz in People’s Ears introduces young readers to traditional storytelling from West Africa, promoting a diverse cultural appreciation. The story is structured where each event leads to the next in a cause-and-effect chain. It serves as a moral tale that encourages reflection on the consequences of words and actions.
Leo and Diane Dillion’s illustrations enhance the book’s appeal and critical acclaim. Their distinctive bold colors and intricate patterns visually depict the diverse animal characters and the lush African landscape. This acclaimed children’s picture book continues to captivate readers while imparting valuable lessons about responsibility, empathy, and consequences of actions.
Review Excerpts
School Library Journal (December 1975) "A familiar folk tale, well told. Stunning full-color illustrations---watercolor sprayed with air gun, overlayed with pastel, cut out and repasted---give an eye-catching abstract effect and tell the story with humor and power.”
Horn Book Magazine (April 1976) “Sophisticated in design and impressive in technique, the full-color spreads have a lush, forceful splendor which almost overshadows the humorous, naive folk tale.”
Connections
Discuss elements and characteristics of folktales
Explore other examples of West African Folklore
Analyze examples of ways character actions will impact development of the plot.
Discuss cause and effect connections.
Include in a collection for researching customs and traditions of West Africa.
IV.
Caldecott Honor, 1987
Bibliography
Zelinsky, Paul O. 1986. RUMPELSTILTSKIN. New York: Dutton Children’s Books. ISBN 0525442650
Plot Summary
In this Caldecott Honor winning retelling of the classic Brothers Grimm fairy tale, Paul O. Zelinsky beautifully illustrates the story of a miller’s daughter who is taken by the king after her father boasts that she can spin straw into gold. Locked in a room full of straw, the girl is visited for two nights by a strange little man offering to spin the gold in exchange for jewelry. On the third night, the little man bargains spinning gold thread for her first-born child. He confidently challenges the new mother to guess his name and keep her child, but she employs messengers to discover that his name is indeed Rumpelstiltskin.
Critical Analysis
Zelinsky’s retelling of Rumpelstiltskin remains faithful to the original Grimm version, capturing its darker elements unlike some modern adaptations that soften the story. Characters in Zelinsky’s version are given depth through text and illustration.
The illustrations are a standout quality of this book, crafted in a richly detailed Renaissance style. The artwork enhances the narrative and masterfully creates a medieval world. Using oil paints over watercolor underpaintings and meticulous attention to detail offers layers of meaning to the characters and setting.
Review Excerpts
Publishers Weekly (August 22, 1986) “Rumpelstiltskin is a tour de force by an immensely talented artist. Zelinsky is that rare practitioner who can create sophisticated work that adults will marvel at, and that children will joyfully embrace.”
School Library Journal (October 1986) “Zelinsky's painterly style and rich colors provide an evocative backdrop to this story. The medieval setting and costumes and the spools of gold thread which shine on the page like real gold are suggestive of an illuminated manuscript. Without overpowering the text, the illustrations give depth and background, providing exquisite texture and detail: the castle interior; subtle facial expressions; the foreboding landscape when Rumpelstiltskin is overheard to reveal his name. The imp himself is deeply fascinating, with his birdlike features, tiny agile body, and Rackhamesque hands and feet.”
Connections
YouTube reading of the book https://www.youtube.com/watch?v=o9rf9K9XmBc
Reading Rainbow Renaissance Fair segment Fairytales - Classic Reading Rainbow
Explore the book’s webpage https://www.paulozelinsky.com/rumpelstiltskin.html
Explore other works by the author, Paul O Zelinsky https://www.paulozelinsky.com/
Discuss elements and characteristics of fairy tale structure.
Discuss artistic style and its impact on the message of the story.
Explore Fairy Tales, Grimm’s Brothers Fairy Tales.
Include in a collection of German cultures and traditions.
Explore connections to the Renaissance era.
V.
Caldecott Medal, 1988
Bibliography
Yolen, Jane. 1987. OWL MOON Ill. by John Schoenherr. New York: Philomel. ISBN 0399214577
Plot Summary
This Caldecott Medal winning children’s picture book by Jane Yolen and illustrated by John Schoenherr captures the magical experience of a memorable nighttime owl-watching trip between a father and his daughter. The two bundle up warmly and set out into the snowy woods under a clear moonlit sky. The girl is filled with anticipation and excitement as they walk through the snow following their rituals of quietness and patience in hopes of spotting an owl. After a long and patient wait, they finally hear the distant owl. The girl is filled with awe as they spot a great horned owl perched on a tree branch.
Critical Analysis
Owl Moon garnered critical acclaim for its lyrical prose and endearing illustrations. Jane Yolen uses lyrical language that captures the quiet and mystery of a cold winter night. The story celebrates a sense of adventure as the father and daughter explore on their nighttime journey into the woods. Through their shared experience, the characters bond deeper with each other and with the natural world around them.
John Schoenherr’s illustrations are full of muted colors and detailed depictions of the snowy and nocturnal setting. The illustrations resonate emotionally with readers due to images of familial love, wonder, and the joy of discovery. It portrays a tender father-daughter relationship. Owl Moon serves as an educational tool for introducing children to concepts such as nocturnal animals and the art of owling.
Review Excerpts
Kirkus Reviews (1987) “A rare reappearance of a fine illustrator (Rascal, Julie of the Wolves), whose watercolors here follow a father and small child as they seek an owl beneath a winter moon.”
Publishers Weekly (November 13, 1987) “Schoenherr's watercolor washes depict a New England few readers see: the bold stare of a nocturnal owl, a bird's-eye view of a farmhouse. In harmony with the art, the melodious text brings to life an unusual countryside adventure.”
Connections
Explore other works by the author, Jane Yolen https://www.janeyolen.com/
Explore other works by the illustrator, John Schoenherr John Schoenherr Google Search
Discuss plot elements.
Discuss repetitive use of simile.
Discuss family traditions.
Explore owl habitats.
VI.
Caldecott Medal, 1997
Bibliography
Wisniewski, David. 1996. GOLEM. New York: Clarion Books. ISBN 0395726182
Plot Summary
This Caldecott Medal winning picture book by David Wisniewski is a retelling of the Jewish legend of the Golem of Prague. Set in the 16th century, the story revolves around Rabbi Judah Loew ben Bezalel, a respected scholar and leader of the Jewish community in Prague. Facing persecution and false accusations against the Jews, Rabbi Loew seeks divine intervention to protect his people. Golem, a giant made of clay, prevents attacks against the Jews. As he fulfills his role as a protector, and the threat of violence against the Jewish community ends, Golem is returned to clay and placed in the attic of the synagogue.
Critical Analysis
In Golem, David Wisniewski stays true to the traditional Jewish legend and provides readers with insight into Jewish folklore and historical context of the Jewish community in Prague. Wisniewski adheres closely to the original legend and conveys the religious significance of the tale. Through this retelling Golem explores themes surrounding the “blood lie” including the struggle against persecution and the potential dangers of unchecked power.
Wisniewski’s cut-out paper collages are a striking feature of Golem. The detailed and layered artwork creates a sense of drama to enhance the mystical elements of the narrative. Younger readers will be intrigued by the intricate illustrations, while older readers will enjoy the complex themes of justice and ethical responsibility. The back matter includes information from the author regarding the history and lore of the Golem figure. Golem offers valuable lessons and an appreciation for cultural folklore.
Review Excerpts
Horn Book Guide starred (March, 1997) “The monumental story of good and evil -- and the gray areas in between -- receives a dramatic presentation through Wisniewski's precisely cut colored paper collage.”
Publishers Weekly (October 21, 1996) “Wisniewski (The Wave of the Sea Wolf) emphasizes the Golem's humanity and the problems with his existence; instead of reducing the legend to a tale of a magical rescuer, the author allows for its historical and emotional complexity. The fiery, crisply layered paper illustrations, portraying with equal drama and precision the ornamental architecture of Prague and the unearthly career of the Golem, match the specificity and splendor of the storytelling.”
Connections
Discuss elements and characteristics of folktales.
Explore connections to Czech Republic folklore.
Explore connections to Jewish folklore.
Discuss ways the illustrations enhance elements of the story plot.
Include this title in a collection of folklore from cultures around the world.
VII.
Caldecott Medal, 1998
Bibliography
Zelinsky, Paul O. 1997. RAPUNZEL. New York: Dutton Children’s Books. ISBN 1404617558
Plot Summary
This Caldecott Medal winning picture book by Paul O. Zelinsky, is a richly illustrated retelling of the Brothers Grimm classic fairy tale. Zelinsky’s Rapunzel unfolds a slightly different telling of today’s more modern princess version. While Rapunzel is trapped in a tall tower and rescued by a prince, this Renaissance-inspired version offers different misfortunes in the hands of the sinister sorceress.
Critical Analysis
Rapunzel is highly acclaimed or its storytelling and stunning illustrations. Zelinsky preserves the core elements of the fairytale, but also adds layers of complexity to the characters. Rapunzel and the prince’s reunion highlight the fairytale themes of love and perseverance.
Zelinsky’s illustrations are the most distinguished feature of this book. The lush Renaissance style adds depth and richness to the story. The use of light, shadow, and detailed textures create a vivid dimensional effect. The illustrations ground the fairy tale in a realistic yet historical way. This book has been praised for its illustrations and perspective on the well-known fairy tale. The back matter included by the author offers enaging facts that enhance the reading experience for older readers.
Review Excerpts
Kirkus Reviews (1997) “Suffused with golden light, Zelinsky's landscapes and indoor scenes are grandly evocative, composed and executed with superb technical and emotional command.”
School Library Journal (December 1997) “An elegant and sophisticated retelling that draws on early French and Italian versions of the tale. Masterful oil paintings capture the Renaissance setting and flesh out the tragic figures.”
Connections
Explore book’s webpage https://www.paulozelinsky.com/rapunzel.html
Explore other works by the author, Paul O Zelinsky https://www.paulozelinsky.com/
Discuss elements and characteristics of fairy tale structure.
Discuss artistic style and its impact on the message of the story.
Explore Fairy Tales, Grimm’s Brothers Fairy Tales.
Explore connections to Italian Renaissance era.
Connect to Rumpelstiltskin, by Paul O. Zelinsky
VIII.
Caldecott Medal, 2007
Bibliography
Wiesner, David. 2006. FLOTSAM. New York: Clarion Books. ISBN 0618194576
Plot Summary
This Caldecott Medal winning children’s book by David Wiesner is a wordless picture book that unfolds an imaginative story through intricately detailed and vivid illustrations. A boy exploring the beach discovers a mysterious old underwater camera washed in from the ocean. When the boy finds a film roll inside the old camera, he rushes to develop the pictures, and finds, amid fantastical undersea images, a photograph of an endless chain of children from different times and places who have all discovered the camera before him.
Critical Analysis
The absence of text in Flotsam allows readers to interpret the story through the vividly detailed illustrations. Wiesner’s artwork brings the magical underwater world and the adventures of the children who find the camera to life. Younger readers will enjoy the fantastical elements such as the underwater cities and mechanical fish captured in the photographs. While older readers will value the magical journey of discovery.
Review Excerpts
Booklist starred (August 2006 (Vol. 102, No. 22) “Wiesner offers another exceptional, wordless picture book that finds wild magic in quiet, everyday settings.”
Horn Book Guide starred (Spring 2007) “The meticulous and rich detail of the clue- and fancy-strewn watercolors makes this fantasy involving and convincing.”
Connections
Explore other works by the author, David Wiesner http://www.davidwiesner.com/
Discuss elements and characteristics of wordless picture books.
Wordless Picture Books:
The Last Zookeeper (Candlewick Press, 2024) by Aaron Becker
The Lion and the Mouse (Little, Brown and Co. Books for Young Readers, 2009) by Jerry Pinkney
Wolf in the Snow (Feiwel and Friends, 2017) by Matthew Cordell
IX.
Caldecott Medal, 2021
Bibliography
Lindstrom, Carole. 2020. WE ARE WATER PROTECTORS. Ill. by Michaela Goade. New York, New York: Roaring Brook Press. ISBN 9781250203557
Plot Summary
This Caldecott Medal winning children’s picture book by Carole Lindstrom and illustrated by Michaela Goade, is inspired by indigenous-led movements to protect water from pollution and destruction. The story begins with a young girl explaining her deep spiritual connection to water. She tells of a black snake approaching and the need of her community to unite and resist the devastation.
Critical Analysis
We are Water Protectors is an action call for young readers, teaching the value of standing up for what is right and the power of community. The book draws on indigenous knowledge and traditions that connect the people and environment.
Michaela Goade’s vibrant illustrations capture the beauty of water of nature. The imagery of the black snake against a lush colorful background emphasizes threats to the natural world. The back matter included by the author provides information about the traditions and beliefs of the Indigenous peoples the author drew inspiration from, as well as a pledge readers can commit to.
Review Excerpts
Booklist starred (February 1, 2020 (Vol. 116, No. 11) “Written in response to the construction of the Dakota Access Pipeline, famously protested by the Standing Rock Sioux Tribe and others, these pages carry grief, but it is overshadowed by hope in what is an unapologetic call to action. While the text draws on specific cultural beliefs, its argument is universal: “We are stewards of the Earth.” Back matter includes notes from both author and illustrator, and the final page offers a pledge that readers may choose to recite, sign, and date to affirm their commitment to the cause. A beautiful tribute and powerful manifesto.”
Kirkus Reviews starred (January 1, 2020) “Though its image is fearsome, younger audiences aren’t likely to be frightened due to Goade’s vibrant, uplifting focus on collective power. Awash in brilliant colors and atmospheric studies of light, the girl emphasizes the importance of protecting “those who cannot fight for themselves” and understanding that on Earth, “we are all related.” Themes of ancestry, community responsibility, and shared inheritance run throughout. Where the brave protagonist is depicted alongside her community, the illustrations feature people of all ages, skin tones, and clothing styles. Lindstrom’s powerful message includes non-Native and Native readers alike: “We are stewards of the Earth. We are water protectors.” An inspiring call to action for all who care about our interconnected planet.”
Connections
Explore other works by the author, Carole Lindstrom https://carolelindstrom.com/books/we-are-water-protectors/
Explore other works by the artist, Michaela Goade, https://www.michaelagoade.com/
Discuss topics of conservation and environment.
Discuss Indigenous traditions and cultures.
Discuss the ways the illustrations enhance the author’s message.
Include this title in a collection of environmental conservation topics or a collection of Indigenous topics.
X.
Caldecott Medal, 2022
Bibliography
Wang, Andrea. 2021. WATERCRESS. Ill. by Jason Chin. New York: Holiday House. ISBN 0823446247
Plot Summary
Watercress by Andrea Wang and illustrated by Jason Chin is a decorated children’s picture book that follows a young Chinese American girl who is riding in the family car when they spot watercress growing in a ditch by the road. As the family gathers the wild watercress, the girl feels embarrassed and dirty for being asked to do this strange task. Through a meaningful retelling from her mother, the girl gains a deeper understanding of her family’s history and the significance of the watercress.
Critical Analysis
Along with the Caldecott Medal, this touching book was awarded with the Asian/Pacific American Award for Literature Award, and the Newbery Honor. Watercress highlights the immigrant experience, and the ways cultural traditions and histories are passed down while exploring themes of cultural identity, family heritage, and empathy. Narrating the story from the girl’s perspective allows readers to feel her embarrassment, making this story relatable to children who might struggle with fitting in.
Jason Chin’s watercolor illustrations complement the story, encapsulating details of the rural setting and the family’s emotions and memories of China. Younger readers will enjoy the calming tone and soothing illustrations in this emotional story, while older readers will appreciate the more complex nuances of understanding and embracing one’s identity.
Review Excerpts
Booklist (December 1, 2020 (Vol. 117, No. 7)) “The story reveals the chasms that can separate first-generation immigrant parents from their Americanized children and how confronting past traumas from another country and time can bring a family closer together. Chin’s illustrations masterfully bring to life the vast cornfields and colors of rural America.”
Publishers Weekly starred (February 8, 2021) “Caldecott Honoree Chin (Grand Canyon) employs muted washes of watercolor, using both Chinese and Western brushes to convey moments of memory and heritage. An adept gem of a picture book, encompassing both universal intergenerational embarrassment and a specific diasporic shift in cultural perception.”
Connections
Explore other works by the author, Andrea Wang https://andreaywang.com/books/picture-books/watercress/
Explore other works by the illustrator, Jason Chin Jason Chin Google Search
Discuss ways the illustrations enhanced the author’s message.
Discuss themes of children of immigrants and the importance of heritage
Include in a collection of Asian American literature.
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